In posting that last thing about my 365 project, I realized that it's almost February and my New Year's Resolutions exist only in my head. This is quite strange, because I usually write everything down either on post-its, in a planner, journal, or in one of my various notebooks that comes with me everywhere. My horrible short term memory and unbelievable lack of organization of thoughts requires this. So, before I forget them completely, I might as well list them here on the internets, where I can't forget or accidentally recycle them. It's a long list, but I'm confident that I can do, or start, most of them. Not in order of importance...
1. Run/workout often (cliche resolution, so it had to be first)
2. Meditate daily
3. Start doing yoga
4. Finish my portfolio website (almost done with this one!)
5. Build up the fashion photography/portraiture parts of my portfolio
6. Blog regularly
7. Be more involved in social media/increase online presence (twitter, flickr, blog, deviantart, etc)
8. Keep playing guitar (just started learning before the new year)
9. Get into the world of animation and film (keep making my stop-motion videos)
9.5 Become more comfortable in Flash and Adobe Premiere Pro
10. Lessen my carbon footprint, and encourage others to be more environmentally friendly
11. Travel somewhere over 6 hours away from Bloomington, IN
12. Read more nonfiction, especially topics regarding religion, art, philosophy, and the environment
13. Give myself personal design projects, mock clients, and deadlines to strengthen my portfolio and design process
There's the basic list. I'm sure I'll end up adding a few as I remember them, but even if not, it looks like I have a productive year ahead of me....I hope.
January 31, 2010
Reflections
One year ago today I had completed the first month of my 365/Photo a Day photography project. In noticing the date, I realized that I never reflected on that project except to various friends and family, and I never fully got closure on this project (I use the word closure, as this project was quite the relationship).
So, the 365 project, started January 1, 2009 and ended December 31, 2009. I took a series of photos every single day, and chose one to edit and upload to flickr as that day's photo. I never missed a day of shooting, although I did get behind on editing and uploading, and would end up processing 2 weeks worth of photos in a day. But still, I got it done, and now that I've had a month to sit and reflect on it, I can tell what effects it has had on me and my work. I tried to summarize it in 4 main points:
1. Because I was shooting every day in roughly the same location, I had to train my eye to look for interesting things in everyday objects and in scenes you wouldn't normally photograph. It is now easier for me to find a good photograph almost anywhere (and by good I mean aesthetically pleasing, not necessarily meaningful).
2. It's okay to have some crappy work. In the first couple months of this project I would get so stressed out on the days I had no inspiration or couldn't find a decent subject. The photos would turn out mediocre, some even terrible. I couldn't understand why I couldn't make a good image every single day, or why I would run out of ideas so quickly. But I realized that most of the time, out of a rut comes something great. I'm a firm believer in learning from mistakes, in life, but especially in art. Of all the bad photographs I took, I learned what not to do, or what doesn't work. It's a constant cycle of learning and making mistakes; I then understood how important it is not to get discouraged by less than perfect work; every artist goes through this cycle repeatedly.
3. I became so comfortable with my camera, that it became an extension of my eye, rather than a bulky box in the way of my vision. Using my camera every day was at first a struggle, since I hadn't fully explored its technical aspects, and had relied on "guess and check" since then. Making images every day really trains your eye to see variations in the photo based on exposure, depth of field, ISO, etc. rather than "it's too bright." I started to see in f stops. Just kidding, but seriously. Anyway, I began to understand the relationship between my vision, the camera, and the actual produced image, which sped up the process of getting my idea realized and opened up the possibilities of things I could do.
4. Once I became more comfortable with the technical aspects of my photography, the real change happened. I started to see improvements everywhere, now that I wasn't burdened by my lack of technical knowledge. My composition of images improved, and other aspects like that, but more importantly, ideas improved as well. As it became easier to translate my ideas into an image, my ideas began to take a different form. I moved from just trying to create a beautiful or interesting image, into a work of art; I started to see how I could make my work conceptual, evoke emotion and get people thinking. This project brought my work to an entirely new depth; of course I still create images for their own sake, like landscapes and macro and all other neat things, but I now have the possibility of doing something more. Before, I had so much trouble translating emotion and concepts into an image, but the constant photographing and forcing myself to learn new things brought out a new level of inspiration and thinking.
So, that was a longer than I expected, but I guess I didn't realize until this moment what an impact the project really had on me. I could extend this list into an entire book, but for the sake of everyone who might end up reading this, I'll keep it short(ish). A few things I didn't include in the main list: increased self-discipline, more comfortable in my own skin (way too many self portraits due to lack of friends who like modeling), twenty times more comfortable with Lightroom and Photoshop than I used to be, improved editing/processing skills, and of course, now I don't totally freak out when I'm in an artistic rut; I know that inspiration is a cycle, and it will come around, probably at 3:35 am on a Monday night.
I urge all artists to do a personal project like this, even if not exactly the same thing. It has its ups and downs, (at times I wanted to chuck my camera across the room) but getting through it and really giving it your best shot has unbelievable effects on the mind and the artistic process.
The set containing my entire photo a day project is here on flickr
So, the 365 project, started January 1, 2009 and ended December 31, 2009. I took a series of photos every single day, and chose one to edit and upload to flickr as that day's photo. I never missed a day of shooting, although I did get behind on editing and uploading, and would end up processing 2 weeks worth of photos in a day. But still, I got it done, and now that I've had a month to sit and reflect on it, I can tell what effects it has had on me and my work. I tried to summarize it in 4 main points:
1. Because I was shooting every day in roughly the same location, I had to train my eye to look for interesting things in everyday objects and in scenes you wouldn't normally photograph. It is now easier for me to find a good photograph almost anywhere (and by good I mean aesthetically pleasing, not necessarily meaningful).
2. It's okay to have some crappy work. In the first couple months of this project I would get so stressed out on the days I had no inspiration or couldn't find a decent subject. The photos would turn out mediocre, some even terrible. I couldn't understand why I couldn't make a good image every single day, or why I would run out of ideas so quickly. But I realized that most of the time, out of a rut comes something great. I'm a firm believer in learning from mistakes, in life, but especially in art. Of all the bad photographs I took, I learned what not to do, or what doesn't work. It's a constant cycle of learning and making mistakes; I then understood how important it is not to get discouraged by less than perfect work; every artist goes through this cycle repeatedly.
3. I became so comfortable with my camera, that it became an extension of my eye, rather than a bulky box in the way of my vision. Using my camera every day was at first a struggle, since I hadn't fully explored its technical aspects, and had relied on "guess and check" since then. Making images every day really trains your eye to see variations in the photo based on exposure, depth of field, ISO, etc. rather than "it's too bright." I started to see in f stops. Just kidding, but seriously. Anyway, I began to understand the relationship between my vision, the camera, and the actual produced image, which sped up the process of getting my idea realized and opened up the possibilities of things I could do.
4. Once I became more comfortable with the technical aspects of my photography, the real change happened. I started to see improvements everywhere, now that I wasn't burdened by my lack of technical knowledge. My composition of images improved, and other aspects like that, but more importantly, ideas improved as well. As it became easier to translate my ideas into an image, my ideas began to take a different form. I moved from just trying to create a beautiful or interesting image, into a work of art; I started to see how I could make my work conceptual, evoke emotion and get people thinking. This project brought my work to an entirely new depth; of course I still create images for their own sake, like landscapes and macro and all other neat things, but I now have the possibility of doing something more. Before, I had so much trouble translating emotion and concepts into an image, but the constant photographing and forcing myself to learn new things brought out a new level of inspiration and thinking.
So, that was a longer than I expected, but I guess I didn't realize until this moment what an impact the project really had on me. I could extend this list into an entire book, but for the sake of everyone who might end up reading this, I'll keep it short(ish). A few things I didn't include in the main list: increased self-discipline, more comfortable in my own skin (way too many self portraits due to lack of friends who like modeling), twenty times more comfortable with Lightroom and Photoshop than I used to be, improved editing/processing skills, and of course, now I don't totally freak out when I'm in an artistic rut; I know that inspiration is a cycle, and it will come around, probably at 3:35 am on a Monday night.
I urge all artists to do a personal project like this, even if not exactly the same thing. It has its ups and downs, (at times I wanted to chuck my camera across the room) but getting through it and really giving it your best shot has unbelievable effects on the mind and the artistic process.
The set containing my entire photo a day project is here on flickr
January 24, 2010
"Hovercraft Malfunction" Stop Motion
Recently I've been experimenting with some stop motion animation/editing. I figured, I take hundreds of photos all the time, might as well turn them into something new! Here's the most recent one, called "Hovercraft Malfunction," made up of 269 photos, compiled in iMovie.
http://www.youtube.com/watch?v=DFQ0JXzNN4s
http://www.youtube.com/watch?v=DFQ0JXzNN4s
processed smoke photography
So, I'm finally doing what I said I would, and uploading a couple more examples of smoke photography that I've processed in Photoshop. And yes, I do recognize that smoke photography is in no way an original idea, and some of my methods for processing them are derived from examples I've seen. This was mainly an exercise to improve my technical skills, and really just to see if I could do it!
The above photo was relatively simple to process. In Photoshop, I converted the image to black and white, with the Black and White adjustment layer. I then added the Invert adjustment layer, and make slight changes to the contrast. Voila! Cool smoke.
This purple smoke was also pretty simple to create. I took one of the original smoke photos, opened it in Photoshop as a layer. I then added the following adjustment layers: Hue/Saturation, Color Balance, and Color Mixer. I didn't use any specific settings, but just played around with the sliders in each layer until I achieved an effect I wanted. Changing the color of smoke and making it look good is most easily done with my favorite "guess and check" method.
Who doesn't love rainbows right? This was quite an experimental photograph. I had seen multicolored smoke photos before, and wanted to see if I could figure it out for myself. Again, I opened the original smoke photo as a layer in Photoshop. I duplicated that layer and dropped the opacity to around 60%. I then added a rainbow gradient, switched the blending mode to "Overlay" and adjusted the opacity until I achieved the effect I wanted. Contrast and Hue/Saturation adjustment layers were also added to alter the intensity of the color, and to keep it looking somewhat realistic.
And there we are! If anyone has additional questions about smoke photography, or the post-processing please feel free to ask by comment or by emailing me.
December 20, 2009
Smoke photography
I've seen a lot of examples of smoke photography lately, and wanted to give it a try myself. A pretty good amount turned out well, and I'm going to do some photoshop experimenting with the color on a few, but here's the first of the set. This one only has minor edits done in Lightroom.
Here's a diagram of the setup I used to get the shot:
The setup was pretty basic. I had my camera level with the smoke against a black background. I used a Canon Speedlite with a snoot to light the smoke, at a 90 degree angle to the camera and at the same height. The important thing is to light only the smoke, and to not let any light spill onto the backdrop. I shot with a wide angle lens and cropped the images in Lightroom (shot at ISO 100 so that the extreme crops still look good)
After my Photo a Day/365 project ends on December 31st, I'll have more time to update this blog, which will include the rest of the smoke shots!
Here's a diagram of the setup I used to get the shot:
The setup was pretty basic. I had my camera level with the smoke against a black background. I used a Canon Speedlite with a snoot to light the smoke, at a 90 degree angle to the camera and at the same height. The important thing is to light only the smoke, and to not let any light spill onto the backdrop. I shot with a wide angle lens and cropped the images in Lightroom (shot at ISO 100 so that the extreme crops still look good)
After my Photo a Day/365 project ends on December 31st, I'll have more time to update this blog, which will include the rest of the smoke shots!
December 15, 2009
screw pencils
I really don't like pencils. I believe that it's important to see the progression of ideas, even if they start out terrible. I do not dwell on the mistakes, but with time a mistake can transform into the best idea of all. Much of my work has turned out this way. Countless people stand by the phrase "learn from your mistakes." Shouldn't that apply to art as well?
Don't forget your mistakes. Use ink.
Don't forget your mistakes. Use ink.
December 13, 2009
almost there
I'm in the last month of my Photo a Day/365 project. I can't believe I've made it so far...but these last few weeks will be the hardest. I feel like I have no more ideas and everything I shoot is unoriginal and boring. It all feels different, but I'm having trouble seeing the difference.
Photography is still my main love, but I truly can't wait until it's over. Although my eyes have been opened, I feel right now as if I'm just going through the motions.
I would question whether or not my heart was in it, but I think the fact that I'm still going, and I haven't missed a day shows that I do have heart. Love can be exhausting.
Photography is still my main love, but I truly can't wait until it's over. Although my eyes have been opened, I feel right now as if I'm just going through the motions.
I would question whether or not my heart was in it, but I think the fact that I'm still going, and I haven't missed a day shows that I do have heart. Love can be exhausting.
November 22, 2009
Meditation
I need to find the time to meditate. I feel the need to calm my soul and balance my energy. I am uncomfortable in my own skin; to find comfort I need to find myself.
I need 20 minutes to sit in silence.
I need 20 minutes to sit in silence.
September 16, 2009
surrealist photography
Lately I've been attempting some more surrealist photography. There isn't much out there, but I find surrealism fascinating and would love to incorporate those concepts into my own work. These are a few recent attempts. The first reminds me of a silver gelatin print with all the spots and grain...I definitely miss the look of a real negative!
artist's block
I am nearly 9 full months into my 365/photo a day project and I'm stuck. I feel like there is no creativity left to squeeze out of me, and all my photos are boring. I'm over 2 weeks behind on uploading to flickr, mostly because I'm not excited about my work lately. In order to edit and make it a great image, I have to be excited about it.
I'm getting inspired to write, play music, design and even do video projects but I can't seem to find inspiration for my photography. Pushing through this project is tough, but I'm doing it and the end doesn't seem too far away. I can't wait for the day when I can photograph when I want to, and when I'm inspired. My work will be much better for it, I'm sure.
Until then, I'll continue to channel this inspiration into my design. One of my recent assignments was to create a ransom letter in the typical letter cut-out fashion. While working on my ransom letter from Mother Nature, I became inspired to do a series of ransom letters. I think it can be quite an interesting commentary on the art of type.
For now, I'll listen to Simon and Garfunkel in a desperate search for inspiration in the music that I love.
I'm getting inspired to write, play music, design and even do video projects but I can't seem to find inspiration for my photography. Pushing through this project is tough, but I'm doing it and the end doesn't seem too far away. I can't wait for the day when I can photograph when I want to, and when I'm inspired. My work will be much better for it, I'm sure.
Until then, I'll continue to channel this inspiration into my design. One of my recent assignments was to create a ransom letter in the typical letter cut-out fashion. While working on my ransom letter from Mother Nature, I became inspired to do a series of ransom letters. I think it can be quite an interesting commentary on the art of type.
For now, I'll listen to Simon and Garfunkel in a desperate search for inspiration in the music that I love.
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